Vandalised Mayer-Marton mural in Oldham church given Grade II-listed standing | Higher Manchester

The George Meyer-Marton mural before it was painted over.

A surprising mural created in a Catholic church by a Jewish refugee from the Nazis has been saved from destruction, decay and vandalism after being granted Grade II-listed standing by the UK authorities.

The Crucifixion, by the main Twentieth-century artist George Mayer-Marton, is a uncommon mixture of mosaic and fresco standing nearly 8 metres (26ft) excessive, taking over a whole wall contained in the Holy Rosary church in Oldham.

A two-year marketing campaign to guard the mural, led by the artist’s great-nephew Nick Braithwaite, gained additional urgency after the art work was broken because of vandalism in current weeks.

The Division for Digital, Tradition, Media and Sport listed the mural – described by the V&A director, Tristram Hunt, as a “dazzling magnificence” – and the church on the recommendation of Historic England.

The Historic England report states: “The mural is very uncommon and presumably distinctive on this nation in its hanging aesthetic mixture of neo-baroque mosaic and modernist Cubist-influenced fresco inventively utilized to conventional Christian iconography in a deeply private evocation of struggling and redemption.”

The George Meyer-Marton mural before it was painted over.
The George Mayer-Marton mural earlier than its outer sections have been painted over. {Photograph}: George Mayer-Marton property

It additionally praised “the transcendent religious nature of Christ … heightened by means of glittering mosaic for the determine and golden mandorla, contrasting with the figures of Mary and St John in earthbound, monochrome blue fresco”.

It added that it was “a serious work in [Mayer-Marton’s oeuvre, a lot of which has been misplaced. The standard of execution and craftsmanship is excellent, creating a bit of appreciable energy.”

The mural, created in 1955, is one in every of solely two ecclesiastical murals by Mayer-Marton to outlive in situ. The depiction in stone and glass tesserae of Jesus on the cross is flanked by frescoes of Mary and St John, which have been painted over within the Eighties by an area priest.

Mayer-Marton, a Hungarian Jew, was a major determine within the interwar Viennese artwork world. However in 1938, following the Anschluss – the annexation of Austria by Nazi Germany – he fled to the UK. After his departure, a decree was issued by the Nazis declaring him barred from the Nationwide Chamber of Fantastic Arts as a result of investigations had proven he “didn’t possess the required dedication and reliability to advertise German tradition”.

He established himself in St John’s Wooden, north London, however his studio containing his life’s work was destroyed within the blitz. After the conflict, he taught at Liverpool School of Artwork, establishing a mural ornament division, and took commissions for murals in Catholic church buildings and colleges. Considered one of them, The Pentecost, is on show in Liverpool’s Metropolitan Cathedral.

In 2017, the Roman Catholic diocese of Salford closed the Holy Rosary and greater than 20 different church buildings as a part of a restructuring. The constructing has been used as a retailer.

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Nigel Huddleston, the heritage minister, mentioned: “This gorgeous mural within the Church of the Holy Rosary deserves to be listed at Grade II. This can shield the one in every of a form mural and function an essential reminder for future generations of Hungarian artist George Mayer-Marton’s escape from Nazi persecution.”

Braithwaite mentioned he was delighted on the itemizing. “I’m now eager to see the required steps taken correctly to safe the church and to protect George Mayer-Marton’s masterpiece for the enjoyment and inspiration of future generations.”

Marcus Binney, the chief president of Save Britain’s Heritage, which supported the marketing campaign for the mural to be listed, mentioned the choice “averts the potential lack of a serious non secular work which has been inflicting enormous concern within the artwork world and past”.